Literacy Loans in Prisons
Literacy in Prisons project was a six session creative writing programme using museum objects to positively impact on the literacy levels and wellbeing of learners within the prison education service at Holme House and Kirklevington Prisons.
The project developed through conversations with the Education providers, Novus, and Tees Valley Museums. Around 60 men from Holme House and Kirklevington Prison took part in the sessions.
The project was based on the tried and tested programme for primary schools, Literacy Loans.
In the original Literacy Loans programme, a museum object is used as stimulus for creative writing sessions that the class take part in, led by a creative writer who delivers their session online.
Due to the nature of prisons and the restrictions around online access, we adapted the session so that a creative writer, Elizabeth Baker, visited the prison to deliver the sessions to the men in person.
The Literacy Loan program successfully combined literacy enhancement with emotional well-being support, providing prisoners with a therapeutic and enriching experience. By fostering creativity and connection to history, the program contributed to the holistic development of participants and strengthened their literacy skills.
Aims of the project:
The aims of the sessions were to:
- Engage students with historical artefacts through a different creative medium
- Introduce students to a range of different writing forms
- Encourage students to play with written words
- Offer opportunities for students to encounter writing from, and about, different historical periods
- Give students the opportunity to work with a writer
What we did
Over 6 weeks, approximately 60 learners took part in 6 sessions of between 60 and 90 minutes each. The men had the opportunity for historical enquiry through handling artefacts and they engaged in a series of writing activities linked to the artefacts and themes. These activities included, group and individual story writing, creating different forms of poetry, writing kennings and riddles and writing for purpose. They created a final piece based on an object of their choosing, using their chosen creative writing technique.
The sessions had a positive impact on the learning and mental wellbeing of the majority of the participants. The museum artefacts, specifically the Saxon Princess jewels and Spence paintings, served as engaging and immersive prompts for creative writing activities, contributing to skill development. Many men experienced emotional connections and empathy through interaction with the historical artefacts
Creative expression through writing allowed prisoners to explore their emotions, thoughts, and experiences in a therapeutic manner. It boosted their confidence and provided a sense of accomplishment, positively impacting their mental health. It also offered a break from academic pressures, promoting stress reduction and mindfulness among participants. Some participants were really appreciative of the time we spent and even saw the project as a treat – a couple of participants were not part of the education programme but had asked if they could also take part.
Example Poems from sessions (Word).
Holme House: Animating an Object group poem – The Ships Wheel
"A seal with a bucket full of sea air."
An AI generated image using prompts given by people in prison for story characters.
"A sea turtle eating fish and chips, hearing voices."
An AI generated image using prompts given by people in prison for story characters.
The Bombardment of Hartlepool Poster, used for black out poetry with learners.
This poster is from Museum of Hartlepool's collection.
Example of blackout poetry created using the poster above.
Participants would black out the poster, choosing certain words or phrases to keep. These words or phrases would form a poem.
What we learned
This was the first time that Tees Valley Museums Group had worked with the prison service, and we learned a lot from the process.
- The continuous turnover of prisoners posed challenges in maintaining consistency in project participation and disrupted ongoing work. To address this issue, we created modules specifically for newcomers, which enhanced program effectiveness.
- Some participants, particularly younger prisoners, struggled with concentration during sessions, affecting class dynamics. Activities were tailored to different age groups and learning styles, which improved engagement and focus.
- We also discovered that spending more time in the sessions would have been beneficial to the learners.
Challenges
The overall partnership with Novus Education and the wider prison could be continued, but with a need to address a number of challenges. These include:
- The need for funding to cover costs – this could be a partnership bid between Novus and TVMG
- the continuous turnover of prisoners poses difficulties in maintaining consistency in project participation and disrupted ongoing work. This will be exacerbated by the fact that Holme House now houses prisoners who are on remand: they will not be there very long. This needs to be taken into consideration when developing new ideas
- closer relationships with the Education department could be established to embed the resources and programmes with their staff. This is a new way of working for their staff so additional CPD could address any fears in this.
What’s next?
This work with Novus Education led to further programmes such as CPD for the teachers within Novus across the North East. This was led by Elizabeth Baker, who gave the staff ideas to develop creative work and strategies to integrate museum artefacts into regular literacy lessons. This will empower them to sustain the program’s impact but around the curriculum.
There was also a programme of engagement with TVMG staff and LGBTQIA+ prisoners exploring the hidden histories from their community as part of our Pioneers of Pride campaign. This involved the careful selection of museum collection pieces to take into the prison, based on themes.
We explored LGBTQIA+ history, local history and also museums and contemporary collection.
This programme of engagement led to some contemporary collecting in the prison.
We’re keen to share more about this work, and recently got the opportunity to do so at a local GEM Heritage sharing event, where we received great feedback from delegates.
I enjoyed the visitors from Preston Park Museum coming to Holme House prison to see us. I loved looking at the objects, seeing them and smelling the scent they had, plus the little information leaflets we could read about the items.
The mining helmet was interesting too. Reminded me of my grandad as a miner in Fishburn, Durham.
“It means a lot that we can touch things we’ve never had a chance to before, I’ll be telling my kid I got to touch an old vest with a bell on today.”
